Elizabeth Si as Clara
Fairy-light snowflakes adorn the lampposts in downtown Swarthmore, and the display tables at the Co-op are laden with treats in red and white packages. But it doesn’t really feel like the holiday season until we see the crowds gathering outside Swarthmore Ballet Theatre, eager to partake in the magic of the classic tale of childhood and adventure.
Swarthmore Ballet Theatre’s The Nutcracker is choreographed anew every year by Lori Ardis and Amber Flynn, in order to mine the talents of each dancer in the ensemble. This year’s production showcases an especially diverse and powerful group of dancers. The youngest is 6 and the oldest is 84. Altogether 63 dancers share the stage in the intimate space.
The party scene introduces the Stahlbaum family, including the elegant Clara (Elizabeth Si) and her mischievous little sister (Joya Denninger) who had the audience giggling as they alternately played and argued, like real sisters. As the families arrived to celebrate the holiday with the Stahlbaums, the stage filled with dancers young and old, each of whom was fully committed to his or her role. A quick gaze across the stage might highlight an interaction between mother and children, or a confiding smile between the Admiral and an elegant lady. William Hodges knows how to command the stage as Drosselmeyer and he had the audience laughing as he tricked Clara into thinking she wasn’t getting a present.
Adelaide and Enrico Faccio took the stage with amazing energy as the Gypsy dancers. Adelaide is a long-time member of the SBT corps de ballet and it was lovely to see her in a pas de deux. Enrico is a new face and brought wonderful athleticism to his work.
William Hodges as Drosselmeyer with Clara and the mice
When the party was over and Clara snuck downstairs in the night to visit with her nutcracker doll, she was assailed by a horde of truly tiny mice. These little dancers are the youngest allowed to perform in a company production and a perfect example of the discipline and joy cultivated by Ardis and Flynn. Each mouse attacked her role with gusto and precision, much to the delight of the audience. And we were all on the edge of our seats as the mice and soldiers joined the battle between the Nutcracker and the Royal Rat (Trinity Clow-McLaughlin).
When Theo Runiewicz emerged as the nutcracker doll come to life I think we all sighed a little at his charming smile. Runiewicz’s commitment to his technique and training since his SBT debut in 2017 is evident. The partnering between the Nutcracker and his Clara (Elizabeth Si) looked effortless, though their lifts and perfectly synchronized steps were extremely difficult. Si has a sylphlike appearance that belies her incredible strength, which combined with her exquisite technique make her a formidable dancer.
Act one wrapped up with Geraldine Leech’s beautiful performance as the Snow Queen with her Snow dancers. The ethereal choreography and costumes truly gave the sensation that it was snowing indoors.
Geraldine Leech as the Snow Queen
Act Two began with the angel (Eleanor Runiewicz) in a gorgeous solo with complicated footwork choreographed by the dancer herself.
The whole second act flew by with one incredible dance after another. Just a few of the standouts were:
Claire Ross in the Russian
the Spanish dance featuring Ava Manaker, who seemed to be light as air, the Russian dance with Claire Ross, whose musicality was a standout in last spring’s a la Modern production as well, and of course the death-defying Arabian with SBT favorite Donn Guthrie and the wildly talented Naomi Si, whose gorgeous dancing and powerful stage presence had the audience gasping and cheering as her partner held her aloft again and again.
Naomi Si & Donn Guthrie in the Arabian
The Waltz of the Flowers is a beautiful and lengthy piece of music. Choreographer Amber Flynn puts a corps of the most experienced dancers in this piece each year as the Flowers and the Dew Drop Fairy. This year, Letitia Prosser was absolutely arresting as the Dew Drop Fairy. She rose from a bank of Flowers like Pallas Athena in a shimmering silver costume and held the audience in her spell as she lifted her arms aloft for a full measure of music before bursting into a sea of movement. From this moment until she finished the dance, nearly seven minutes later, Prosser spun, leapt and charmed the audience, as groups of her gorgeous attendant flowers took turns dancing and retiring offstage. The athletic prowess of this young dancer was evident as each jump and turn seemed only to add to her exultation, never depleting her ceaseless energy.
Letitia Prosser as the Dew Drop Fairy with Naomi Si, Ava Manaker, Julia Friel & Geraldine Leech
The pas de deux between the Sugar Plum Fairy (Rose Hodges) and her cavalier (Donn Guthrie) was absolutely mesmerizing. Fans have watched Hodges grow up on the SBT
Rose Hodges & Donn Guthrie
stage. Her serene smile belies the difficulty of the steps, and Guthrie partners her masterfully through endless arabesques and athletic lifts.
Too soon, Clara was drawn back home again to wonder if her time with the nutcracker was real or only a dream.
But for the lucky audience, the magic of the production was very real and very memorable – a welcome return to the wonder of childhood holidays in the midst of a busy season.
The mice and soldiers battle in Clara’s living room (spectacular lighting design by Billy Hodges)
The best way to remember your tickets for next year is to sign your children or yourself up for classes next year! Professional level ballet classes are available for the whole family right here in Swarthmore. Read more about taking classes at SBT here.
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More than 100 volunteers assist in the production of the ballet. The Lori Ardis Ballet Company is a non-profit and can accept donations (recent fundraisers have outfitted the theater with beautiful eco-friendly lighting). Reach out to SBT to learn how to be part of the magic by donating time or funds!
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FUN FACTS:
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It’s a family affair! Many families had more than one member in this year’s production, including: a mother-daughter duo, three father daughter duos, and several sets of twins!
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What a debut! Enrico Faccio (who danced the Gypsy with his sister Adelaide) has never performed at SBT before. He brings great energy and a charming smile to the production.
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Did you know? If you’ve seen George Ballanchine’s Nutcracker ballet you may remember a main character called Marie going to the Land of Sweets. The Ardis and Flynn production has Clara and her prince visiting the Land of Enchantment where life-sized dolls from different countries dance! Click here to read an interview with Lori Ardis and Amber Flynn about their many productions of The Nutcracker!
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Picture Perfect! All the photographs in this blog were taken by Kristen Herzel and provided courtesy of Swarthmore Ballet Theatre. Kristen’s son, Nathaniel Mitchell, is in the corps de ballet in this year’s production.
A double line of SBT’s powerhouse ballerinas stretched diagonally across the stage in cobalt moonlight, forming an aisle down which Myrtha, queen of the Willis, danced, coaxing their newest sister out of the grave.
Virgil. Former SBT students often find that their training opens exciting doors for them. Virgil, who spent her summer dancing in Manhattan after being accepted for a summer intensive at the prestigious Alvin Ailey Dance Theater, is no exception.
packed to the gills. But there was never any danger of confusion – each performer, large and small, was so alive with expression and focused so entirely on the action at hand that it felt as if the whole theatre were one of Drosselmeyer’s magical clockwork creations.
The Nutcracker is Theo Runiewicz’s very first role at SBT. A perfect Nutcracker prince smiles and radiates a non-threatening heart-throbbiness appropriate to appeal to a young Clara, all while leaping,spinning and even lifting his partner. This is no small task even for an experienced dancer, but Runiewicz held his own and Virgil was a perfect partner to him, her experience and his enthusiasm combining to make their pas de deux truly fun to watch. I hope we’ll see more of Runiewicz at SBT soon.
confidence that matched the puckish edge to the music and when she wrapped things up with a dizzying series of inside and outside piqué turns the audience applauded in awed delight. Her pas de deux with veteran cavalier, Donn Guthrie, was nothing short of athletic.
Spanish dance, the Chinese dance, the Candy Canes, the Quartet, and Nathaniel Hodges’s Tarantella, as well as Mother Ginger and her children, and the exquisite Waltz of the Flowers.
showcased McCullough’s beautiful extension and her infectious smile in a dance that was light as air, and accentuated by a filmy costume that glimmered in the lights like a real dew drop with McCullough’s every leap and turn.
carrie piccard 